望月みや

■主な刊行物

＜単著・共著書＞

1. 『Jesuit Art』 (2022)
   M. M. Mochizuki, Brill Research Perspectives in Jesuit Studies. Jesuit Art, Leiden: Brill, 2022.
2. 小林頼子 and 望月みや『対話する日本と西洋の文化――グローバル時代の夜明け』(2017)
   Y. Kobayashi-Sato and M. M. Mochizuki, Gurōbaru jidai no yoake: Nichiō bunka no deai, kosaku to sono zanshō 1541–1853 [Dawn of a Global Age: Visual Dialogue between Edo Japan and the West], Kyoto: Koyo Shobo, 2017.
3. 『聖像破壊後のオランダのイメージ、1566 ～ 1672 年: オランダ黄金時代の物質的宗教』 (2008 年)
   M. M. Mochizuki, The Netherlandish Image after Iconoclasm, 1566–1672. Material Religion in the Dutch Golden Age, Aldershot: Ashgate, 2008.

＜編著書＞

1. Palimpsests of Religious Encounter in Asia, 1500–1800, ed. Mia M. Mochizuki and Ines G. Županov, Intersections: Interdisciplinary Studies in Early Modern Culture 97 (Leiden: Brill, 2025).
2. Landscape and Earth in Early Modernity: Picturing Unruly Nature, ed. Christine Göttler and Mia M. Mochizuki (Amsterdam: Amsterdam University Press, 2023).
3. 移ろう形象と視覚芸術–小林賴子先生退職記念論文集, Utsurō keishō to shikaku geijutsu: Kobayashi Yoriko-sensei taishoku kinen ronbun-shū [Mobility and Visuality beyond Borders: Liber Amicorum in Honor of Professor Yoriko Kobayashi-Sato], ed. Junko Aono, Sumiko Imai, Mia M. Mochizuki, and Noriko Mochizuki (Tokyo: Yasaka Shobo, 2019).
4. Inspired: Essays in Honor of Susan Donahue Kuretsky, ed. Elizabeth Nogrady, Joanna Sheers Seidenstein, and Mia M. Mochizuki (Poughkeepsie: Frances Lehman Loeb Art Center, Vassar College, 2018).
5. The Nomadic Object: The Challenge of World for Early Modern Religious Art, ed. Christine Göttler and Mia M. Mochizuki, Intersections: Interdisciplinary Studies in Early Modern Culture 53 (Leiden: Brill, 2018).
6. Encounters of Faith: Art and Devotion in Latin America, ed. Alejandro R. García-Rivera and Mia M. Mochizuki, exh. cat. (Berkeley: The Jesuit School of Theology of Santa Clara University, 2010).
7. In His Milieu: Essays on Netherlandish Art in Memory of John Michael Montias, ed. Amy Golahny, Mia M. Mochizuki, and Lisa Vergara (Amsterdam: Amsterdam University Press, 2006).            

＜主な論文＞

1. “What Remains: The Transcultural Legacy of Making,” in Palimpsests of Religious Encounter in Asia, 1500–1800, ed. Mia M. Mochizuki and Ines G. Županov, Intersections: Interdisciplinary Studies in Early Modern Culture 97 (Leiden: Brill, 2025), 1-41.
2. “The Jesuit Martyrdom Landscape and the Optics of Death,” in Space, Time and Experience in the European Eschatological Imagination, 1400-1800, ed. Wietse de Boer and Christine Göttler, Intersections: Interdisciplinary Studies in Early Modern Culture (Leiden: Brill, 2024), 458-501.
3. 望月みや, “つながる世界・世俗世界・聖なる世界,”『 移ろう形象と視覚芸術—小林賴子先生退職記念論文集』, ed. 青野純子、今井澄子、望月みや、望月典子編 (Mia M. Mochizuki, “Tsunagaru chijō-sekai, sezoku-sekai to seinaru-sekai,” in Utsurō keishō to shikaku geijutsu: Kobayashi Yoriko-sensei taishoku kinen ronbun-shū [Mobility and Visuality Beyond Borders. Liber Amicorum in Honor of Professor Yoriko Kobayashi-Sato]), ed. Junko Aono, Sumiko Imai, Mia M. Mochizuki, and Noriko Mochizuki (Tokyo: Yasaka Shobo, 2019), 13-51.
4. “Jesuit Visual Culture in a Machine Age,” in The Oxford Handbook of the Jesuits, ed. Ines G. Županov (Oxford: Oxford University Press, 2019), 449-86, DOI: 10.1093/oxfordhb/9780190639631.013.18.
5. “The Reliquary Reformed,” in Art and Religious Reform in Early Modern Europe, ed. Bridget Heal and Joseph Koerner, Special Issue on the 500^th Anniversary of the Lutheran Reformation, Art History 40, no. 2 (April 2017): 431-49, DOI: 10.1111/1467-8365.12313.
6. 望月みや (Mia M. Mochizuki), “複製技術時代における宗教画：世界の「サルス・ポプリ・ロマーニ聖母像」をめぐって” (Fukusei gijutsu jidai ni okeru shūkyōga: Sekai no Sarusu popuri Romani Seibozō wo megutte),” in キリシタンが拓いた日本語文学：多言語多文化交流の淵源 (Kirishitan ga hiraita Nihongo bungaku: Tagengo tabunka kōryū no engen, Japanese Literature by Medieval Christians: The Origins of Multilingual and Multicultural Communications), ed. Guo Nanyan (Tokyo: Akashi Shoten, 2017), 273-97.
7. 望月みや, “グローバルな眼：徳川家《万国絵図屏風》における場所の認識,”『美術史論叢』第32号、2016年3 (Mia M. Mochizuki, “Global na me: Tokugawa-ke Bankoku Ezu byōbu ni okeru basho no ninshiki,” Bijutsu-shi ronsō: Tokyo Daigaku Bungakubu Bijutsu-shi Kenkyū-shitsu [The University of Tokyo Faculty of Letters Research Studies in Art History]) kiyō 32 (March 2016): 100-52.
8. “The Diaspora of a Jesuit Press: Mimetic Imitation on the World Stage,” in Illustrated Religious Texts in the North of Europe, 1500-1800, ed. Feike Dietz, Adam Morton, Lien Roggen, Els Stronks, and Marc Van Vaeck (Farnham: Ashgate, 2014), 113-34.
9. “Shock Value: The Jesuit Martyrs of Japan and the Ethics of Sight,” in Sensational Religion: Sensory Cultures in Material Practice, ed. Sally M. Promey (New Haven: Yale University Press, 2014), 375-97.
10. “Perspective and Its Discontents or St. Lucy’s Eyes,” with Yoriko Kobayashi-Sato, in Seeing Across Cultures in the Early Modern Period, ed. Dana Leibsohn and Jeanette Favrot Peterson (Farnham: Ashgate, 2012), 21-48.